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Li Guoguo wears a long robe with sweeping sleeves over a heavily embroidered green silk shirt while strolling about in a park covered by cherry blossoms, with traditional Chinese velvet flower pins adorning her hair and an exquisite Chinese fan folded in her hand. If not for the outfits of others passing by, she might be mistaken for a time traveler sent from a bygone China centuries in the past. A decade later, Li’s wardrobe is now bursting with hanfu of every variety, color and pattern. As an enthusiast for the hanfu, a type of traditional clothing of the Han ethnic group, Li fell in love with this style of clothing during the time when she was still in middle school. Photo shows Li Guoguo wearing a hanfu in the park. The outfit has become more than merely a style of dress, but a way of life for the young woman. In 2017, Li uploaded her first video on Bilibili, a video-streaming platform, showcasing her immaculate hanfu wardrobe, which to her surprise went viral online. Li’s passion for hanfu was also carried into her career. Li, who is now an online influencer with nearly half a million fans. This deep-seated intention runs to the core of Li’s content. With an aim to breaking down the public stereotype that hanfu cannot be worn in one’s daily life, she always makes an effort to share her experience and knowledge on selecting an appropriate hanfu and accompanying accessories for different occasions, filming a vlog with its overarching theme hinging on the donning of hanfu for everyday life. She also tries to mix and match different hanfu styles, making the wearing of the ancient garment a closer approximation to our everyday clothing habits. In her most played video, entitled “how to fool your boss: hanfu dress code for work,” she swaps between six sets of hanfu, with outsiders hardly being able to tell any difference with modern clothing styles. In order to showcase the full potential of the hanfu to her audience, Li thrust herself into her work and hoped to generate further innovations in her hanfu and video themes. This video attracted heated discussion online about the adoption of mix-and-match hanfu styles in contemporary society, with many supporting Li’s notions on the subject. Her video entitled “Hanfu dress code for Christmas” has become one of Li’s featured content for four consecutive years running, having caught the attention of a wide audience, with many having been caught surprised by her unconventional ideas. Photo shows Li Guoguo wearing a hanfu in the park. For instance, she created a new way to combine the Chinese attire with elements of Western culture. From out on the street to social media posts, it’s now much more commonplace to see people sporting the elegant flowing robes of the hanfu. Li epitomizes a growing number of hanfu aficionados who have already been promoting hanfu for some time, with the outfit seeing a strong comeback only in recent years. Moreover, the number of hanfu enthusiasts is expected to double from 3.56 million in 2019 to 6.89 million in 2021, according to iiMedia Research Group, a Chinese consulting agency. Apart from attracting millions of enthusiasts, the hanfu has entered into ordinary people’s daily lives and has already gained a high degree of domestic recognition. Due to its growing popularity, a member of the National People’s Congress proposed establishing a National Hanfu Day. For most people, cheongsam their interest in the hanfu arose from a recognition of its beauty and an appreciation for traditional Chinese aesthetics. What fueled the craze for the outfit is the hanfu’s connection to China’s cultural roots. Traditional clothing is an indispensable part of Chinese history and culture, embodying the distinctive features of different dynasties in the past.

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Traditional Chinese wedding dress is a collective term which refers to all the different forms and styles of traditional wedding attire worn by the Han Chinese when performing their marriage ceremony, including the traditional Chinese marriage. Since the Zhou dynasty, there have national laws and rules which regulated the different categories of clothing and personal accessories; these regulations have created various categories of clothing attire, including the traditional wedding attire of the Chinese people. The cheongsam (Chinese: 旗袍), or zansae also known as qipao, sometimes referred to as the mandarin gown, traces its origins to the Qing dynasty. There are various forms of traditional Chinese wedding dress in the history of China. Nowadays, the cheongsam can also be worn as a wedding dress. The fengguan xiapei (Chinese: 凤冠霞帔) is a type of wedding set of attire categorized under Hanfu. It was worn in Ming and Qing dynasties. The fengguan xiapei attire was composed an upper and lower garment following the traditional yichang system. In the Qing dynasty, it was composed of an ao, a type of upper garment, called mangao (Chinese: 蟒袄; lit. The mangao was a type of yuanlingshan fashioned in the style of the Ming dynasty which was red in colour; it used to be worn by the Han Chinese women as a court robe. The mangchu was a qun which could either be red or green in colour; it was embroidered with dragons and phoenixes on the front and back lapel of the skirt. The two accessories items from which the set of attire of gained its name was the fengguan, which was a type of guan, and the xiapei (Chinese: 霞帔). The fengguan xiapei was sometimes adorned with the yunjian. The appearance of the xiapei appearance and construction differed depending on the time period: in the Ming dynasty, the xiapei was similar to a long scarf or stole in appearance; however, it became a type of waistcoat in the Qing dynasty. The qungua, also commonly known as longfenggua, guaqun or longfeng qungua is a set of attire which follows the traditional yichang system. Following the wedding ceremony, married women were expected to wear the fengguan xiapei on formal occasions, however, Chinese trousers or leggings were worn beneath instead of the skirt. Initially, the qungua was sewn by the mother of the bride as soon as the bride was born due to the time-consuming process of the handcraft; it would then be given later on as the part of the bride’s dowry from her family when she would get married. The tradition of wearing the qungua as a wedding dress originated in the Qing dynasty during the 18th century. Nowadays, the qungua has been commercialized and remains a popular form of wedding dress. There are 5 different types of qungua (Guahuang, Guahou, Dawufu, Zhongwufu, Xiaowufu) which are based on the amount of embroideries which were crafted on the dress. The Xiuhefu (simplified Chinese: 秀禾服; traditional Chinese: 繡和服) is a set of attire which follows the traditional yichang system; it is a composed of a waist-length liling dajin ao and a long A-line qun, which looks similar to a mamianqun. The precursor of the Xiuhefu can be traced back to the Qing dynasty where a Qing dynasty-style aoqun, consisted of liling dajin changao and a mamianqun, cheongsam top 3xx was worn as a form of wedding dress during this period. The Xiuhefu is typically embroidered with flowers and birds to symbolize love for whole seasons. What is currently known as the Xiuhefu became popular in 2001 when Zhou Xun, the actress who played the role of Xiu He, wore a modern recreation version of the Qing dynasty wedding aoqun in the Chinese television drama Orange turned red (Chinese: 橘子紅了) thus gaining its contemporary name from name of the character, Xiu He. Manchu bride in her wedding clothes, c. Religion in Chinese societies. Yang, Feng gang; Tamney, Joseph B. (2012). Confucianism and spiritual traditions in modern China and beyond. Hua, Mei (2011). Chinese clothing (Updated ed.). Garrett, Valery M. (2007). Chinese dress : from the Qing Dynasty to the Present. Cultural Centre, University of Malaya (masters). JNTT (2020-07-30). “SAME SAME BUT DIFFERENT”. Long Feng Gua” Wedding Tradition | US-China Institute”. Queensland Museum Collections Online. Si, Yuye (2020). “To Have And To Embroider: The “Long Feng Gua” Wedding Tradition”. Text is available under the Creative Commons Attribution-ShareAlike 4.0 License; additional terms may apply. By using this site, you agree to the Terms of Use and Privacy Policy. This page was last edited on 30 January 2024, at 18:48 (UTC). Wikipedia® is a registered trademark of the Wikimedia Foundation, Inc., a non-profit organization.

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People from different countries each have their traditional attire. China also has traditional clothing, which is called ‘Hanfu’( 汉服hàn fú). Japanese have the kimono and the Scottish have their kilts. The traditional clothing system of Han people is today divided into two phases: ancient and modern. The name stems from the Han nationality, who are the dominant ethnicity in China, and who account for more than 90 percent of the mainland’s population. Ancient Hanfu dates back to the time of Yellow Emperor, which was about 4,000 years ago. It continued developing until about 300 or 400 years ago, when the Qing Dynasty’s policy on hair and dress intervened. Around the beginning of the 20th century, the country started moving more towards Western-style clothing. Before that, there were dozens or even hundreds of styles of traditional Chinese clothes throughout its history. Let’s take a peek at the most typical styles of Chinese traditional clothing. The clothes worn on the upper body are called “Ru”, and the part on the lower body is called “Qun”. Ruqun one kind of hanfu. It is a typical “Shangyi Xiachang” (top clothes and underdress) form. Ruqun has an obvious feature: the shirt portion is very short and the skirt portion begins very high, usually just below the collarbone. Together, they are called “Ruqun”. The Ruqun appeared in the Warring States Period; it was worn by females in China until the end of the Ming and Qing Dynasties. Shenyi, in contrast, is a style of clothing with a longer upper portion and accent colors/fabrics on the edging and belt. The top, which can come down to the knees or below, crosses in front and is held closed with a waist tie. Shenyi can be subdivided into “Zhiju (直裾-Straight Ju Dress)” and “Quju (曲裾-Wavy Ju Dress)”. This style of clothing has a long gown with a round neckline, and can have a collar that that buttons on the side of the neck. This style of clothing (see below) looks very graceful and elegant. Nowadays, this clothing style is regarded as the official dress of China. In addition to these three types, there are many subdivisions with subtle differences. Similar to those of females, men also have Shenyi (深衣), Zhiju (直裾), Ru (襦) and the Round collar Robe (圆领袍). This style could also have slits on the sides for horseback riding. Similar to the concept of Ruqun, women wear Ruqun, while men wear Yishang. Yi is worn on the upper body, and Shang are worn on the lower half of the body, like a dress. In addition, there are two other distinctive styles for men. Lan shan is a special form of Shenyi. Yishang is the most typical type of clothing for men’s Hanfu. These are a single piece that crosses and attaches on one side. This clothing is practical for everyday wear, and was worn mainly by students. Chinese Hanfu has so many sub-types and it continues to evolve as time goes by. If you have an interest in knowing more about Chinese culture, sign up on Lingo Bus and access our learning resources now! It would take an entire book to explore all the styles and sub-styles, but we wanted to give you a little taste of some of Chinese traditional fashion. Leave us a comment if you have any questions!

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One of the most iconic aspects of Japan’s rich culture and history is its traditional clothing. Generally called ‘kimono’, which translates to ‘a thing to wear’, these garments come in different styles and forms, with all of them having their own backgrounds, meanings, and purposes. Kimonos are not just clothing, but are also works of art that can tell stories about a certain time period, a location, and especially about the person wearing them. It’s no wonder why wearing its different iterations is often on people’s travel bucket lists. If wearing one is on your bucket list too, here are three kinds of kimonos you can try out and the best destinations to find them. At present, this style is probably one of the most popular among foreigners, along with its lighter version, the yukata, which is often worn during the warmer seasons. In Edo Wonderland Nikko Edomura, an amusement park in Nikko City, Tochigi Prefecture, you can try out various outfits from Japan’s yesteryears in their in-house kimono rental facility, Jiku. By the Meiji Era (1868 to 1912), this style gained even more popularity, even outside Japan. You can try on the Edo Period kimono here, or dress up as a princess, lord, samurai, and more. A ninja outfit option is also available for kids. Since Edomura recreates Edo Period Japan, not only is it perfect for a photo-op when you’re wearing a kimono, you’ll also be able to experience what it was like strolling around the towns of the past. The park has five different areas: Kaido (Road to Edo), Shukuba-machi (Inn Town), Shokagai (Market District), Buke-yashiki (Samurai Residence), and Ninja no Sato (Ninja Village). In these areas, you’ll be able to find various exhibits and activities, some of which include a maze, a haunted house, ninja and archery training, a cruise around the town, and more. There’s also the Edo Work Experience where kids can ‘train’ in various old Japanese occupations. Processions and street shows can also be observed at the park. Access: From JR Shinjuku Station, take the Tobu Kinugawa line and head to Kinugawa-Onsen Station. And last but not least, you can also visit the restaurants and food stalls in the town or buy some souvenirs or ‘omiyage’ to make your trip more memorable. From here, take a taxi or a bus to Edo Wonderland Nikko Edomura. Operating Hours: 9:00AM to 5:00PM from March 20 to November 30 and 9:30AM to 4:00PM from December 1 to March 19 (closed every Wednesday). They had something called the ‘kasane no irome’, which meant the proper layering of robes to produce beautiful color combinations. Going a bit further back into the past, the jūnihitoe (‘twelve-layered robe’) is a formal court outfit that women wore during the Heian Period (794 to 1185). Color was one of the most important aspects of the jūnihitoe and was used to represent the person wearing the outfit. At present, the wearing of jūnihitoe is reserved for special occasions such as the Imperial Enthronement Ceremony and royal weddings. This required great skill, as the colors had to be chosen to represent the person and also match the season and occasion the jūnihitoe was going to be worn for. Jūnihitoe try-on experience at Itsukinomiya Hall. Luckily, for those who are interested in wearing a jūnihitoe, the Itsukinomiya Hall in Meiwa Town, Mie Prefecture offers a try-on service for it. After a tour at Itsukinomiya Hall, travelers can deepen their knowledge and understanding of the Heian Period by also visiting Ise Jingu. This complex comprises 125 shrines centered on important Shinto deities, making it one of Japan’s most important Shinto sites. The facility also informs visitors more about the Heian Period, including the people’s livelihood, the prominent architectural style during that era, and the relevance of the court during that time. One of its main structures is Kotai Jingu (Naiku), which is dedicated to Amaterasu-Omikami, also known as the goddess of the sun. Since Ise Jingu is a sacred site, some areas have limited public access and can only be observed from fenced walls. Taking photos is also restricted in some areas. However, there’s still plenty to admire in this area. For instance, you can walk along its tree-lined path to get a sense of wonder and tranquility. Located at Oharaimachi in front of Ise Jingu, this place is home to shops and attractions where visitors can immerse themselves in the history and customs of Ise. A visit to the nearby district of Okage Yokocho is also highly encouraged after spending time at Ise Jingu. Access: From Kintetsu Nagoya Station, alight at Iseshi Station. From there, take a bus or a cab to Ise Jingu Naiku. It was a popular garment among nobility during the Ryukyu Kingdom Period (1429 to 1879) when the Ryukyu Islands (now known as Okinawa Prefecture) engaged in trade with the Chinese Ming Dynasty. Ryusou is Okinawa’s signature traditional wear, often worn on special occasions like coming-of-age ceremonies and weddings. Compared to other types of kimono, the ryusou is airier and lighter to wear and is tailored for better mobility to suit Okinawa’s climate. Its silhouette and styling are said to be inspired by the Chinese hanfu dress and the Japanese kimono combined. Tourists who would like to try on this traditional clothing can visit veni, a ryusou rental shop located at Kokusai-dori Street in Naha City. The shop offers various packages for the rental, from short-time rents with a studio shoot, or long-time rents where you can walk around the town with a professional cameraman to take your photos. After getting dressed, travelers can explore more of Kokusai-dori Street. Remember to take extra care of the clothes while you roam around the lively district and return them at the designated time. Hit up restaurants that serve Okinawa specialities such as Okinawan soba noodles, agu pork (made from Okinawa’s native black pig that’s known for its sweet, umami-rich taste) or taco rice (a Japanese take on the Mexican dish). Shop for fashion and beauty finds at chain stores and familiar brands that line Kokusai-dori’s alleys. Relax at a bar and try out the local liquor, ‘awamori’, after a long day of shopping. After trying on the ryusou, you can continue to shop, dine, and stroll around Kokusai-dori Street’s entertainment hubs which are open until late at night. Watch out for the Shisa statues (mythical half-dog, half-lion creature) that guard many establishments around this area too, and take home souvenirs featuring this traditional Okinawan creature, red qipao dress which symbolizes security and protection. Access: From Naha Airport, take the Yui Rail Okinawa Monorail and alight at the Prefectural Office Station or Makishi Station. And if you plan your trip around a Sunday – as long as it’s not raining – you’ll even get the chance to see street performers and other activities along the street. Take a few minutes walk to Kokusai-dori. Discover more of Japan. We hope your next visit to Japan gets even more enriched by trying out a traditional Japanese clothing experience. Follow us on Facebook and Instagram for fun facts and quick tips about Japan.

Pink is the symbol of love, cute, youth, romance and femininity; whether in east or west, sweet pink is one of the most popular colors for girl’s clothing and accessories. Pink hanfu dress can bring a smile to everyone’s face, has a warm, welcoming feel to other people. For years, I have been in search of a cute hanfu pink that I could wear to work. It was so simple, yet so elegant and beautiful; if you’re like me, you probably feel the same way about pink. It was a long journey but finally, I found a ruqun dress that I absolutely loved. This lovely pink dress will forever be one of my favorite hanfu that I have ever worn. I love wearing a pink dress because it makes me feel happy, and it’s just the best color that I could feel comfortable in. I love pink dresses – they’re the epitome of femininity. Cute pink clothing is the perfect complement to any woman’s wardrobe and a great way to brighten up your day. When I was a kid, I would walk around the neighborhood wearing a pink dress and tights. And I’m pretty sure I had a crush on a boy named “Pink Batman” in middle school. Not only that, I’d go to the park in pink shorts, and play in the sandbox. The girls love pink dresses, it’s a fact. Luckily, now I have a pink hanfu and I can even wear it to work. From clothing to accessories, there are a wide variety of pink items available for sale. And with the new season of fashion, the pink hanfu has been on a constant rise. I would definitely recommend the pink qiyao ruqun, it will help you look sexy lady and not like a little girl. Pink is the perfect color to celebrate Valentine’s Day. If you want to look mature while shopping, then you should choose the right hanfu style for your outfit. I bought a pink and purple hanfu, and a pink black hanfu for my boyfriend, then we had one of the most fun dates of our lives at Universal Studios. Now, we will often wear Hanfu clothing to vacation and travel. We all know pink is a popular color that can be seen everywhere, but there are so many different types of hanfu dress to wear, and do you know how to get the suitable hanfu style for yourself? Pink and white hanfu set, pink hanfu shirt, pink hanfu skirt, which one is the better choice? If your lover also likes wuxia or martial arts culture, you can cosplay an immortal couple together which is an amazing experience and memory. A lot of people think that pink is a girl’s exclusive color. It’s also a great color for men and women. But in fact, pink hanfu isn’t just for kids. Make sure that you are comfortable with the cut, style, and fabric of the hanfu dress before you buy. Pink is hard to resist, is a positive color that makes you feel happy and excited. You can’t help but smile when you see a pink dress, right? Pink hanfu has been worn by many famous women throughout history, including Liu Yifei, Zhang Ziyi, and Zhao Liying. That’s why we decided to write this guide about how to choose cute pink hanfu dresses. The most common reason is that pink is a touching love. We’ll be showing you the best way to go about choosing a comfortable pink hanfu that will make you look great while also making your day a little more fun. There are many reasons why women choose this color as their favorite. 1. Can I wear Pink Hanfu for what occasion? Pink hanfu dresses can be worn for almost any occasion, school, office party and wedding. 2. How to Wash Pink Hanfu? Hand Wash and please don’t wash light pink hanfu with other dark color clothes. Pink hanfu is meaning the love, cute, sexy and happiness. 4. Pink Hanfu can be worn with other colors? 3. What’s the Pink Hanfu Meaning? Yes. Now more pink hanfu outfit is also associated with a number of other colors like red, rose pink, orange, yellow, lavender, blue, purple, and violet.

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The mamianqun (literally “horse-faced skirt”) was a skirt style popular among Han women in the Ming and Qing dynasties, and was named so for its resemblance to the Mamian fortress’s structure. Now, after going on a long hiatus in the 20th century, it is finally coming back into fashion because of the growing interest in hanfu around the globe. And how has it evolved since? In the Ming dynasty (1368 to 1644), this skirt was all the rage, not just for the imperial harem, but also for ordinary people. But what was it like back in its heyday? What makes the Ming mamianqun iconic is its use of gold embroidery in intricate patterns, the main focal points of which start from around the knee-level of the skirt and go down to the hem, typically in horizontal bands. The basic construction was the same for all, but pattern, color, and material varied according to class and occupation. The pleats were also rather large and sparse compared to Qing mamianqun. Its classic colors are jewel-toned reds, blues, and greens. In the Qing dynasty (1644 to 1911), the mamianqun underwent a number of changes. Its embroidery patterns became much more lavish and colorful, especially on the outer skirt doors, and incorporated a wider variety of auspicious animal, insect, and flower symbols. The mamianqun has come a long way, and there are more skirt styles available on the market than ever before. You have your pick between classic Ming and Qing skirts, historically-inspired skirts, and modernized skirts. Designs became more complicated, and some variants featured tighter and more numerous pleats, as well as sharp, contrasting trims and irregularly shaped front doors. Today, there is a silhouette, pattern, and color for every occasion. On the other hand, the elaborately patterned mamianqun are more suitable for formal ceremonies like traditional-style weddings, where brides would wear heavy red or blue Ming skirts. You can match your skirt with other hanfu garments, or you can also do it with ordinary clothes, especially blouses and tops; both are very common among hanfu enthusiasts. For instance, light and plain mamianqun are more suitable for daily life because they offer convenience with daily action. This black mamianqun features a contemporary white flower and butterfly print around the hem. Combined with a matching tie and white collared shirt, the outfit definitely feels equal parts quirky and relaxed. Below are a few mamianqun outfit inspirations to help you start your search for the perfect skirt for your desired occasion. This outfit balances a mamianqun bursting with colorful florals with a short but dignified aoqun top. The skirt embroidery and length of the aoqun make it best for semi-formal occasions; it is eye-catching, but not overwhelming. The pop of a vibrant red midi skirt against a white shirt can sure make a bold statement! The patterns on this mamianqun are contemporary-style graphics depicting fish and waves, which represent wealth and prosperity. If it’s an ultra-traditional formal look you’re after, a richly embroidered mamianqun will never disappoint. This Ming outfit pulls out all the stops with a stunningly elaborate skirt in royal purple, paired with a long aoqun top. This silhouette has the power to make a regal princess out of anyone. There are many ways to modernize the mamianqun and still incorporate traditional symbols. The mamianqun is not limited to any one occasion. Mix and match, explore, and experiment; you might be surprised by the number of outfits you can achieve with this skirt. With the right tops and blouses, you can enjoy your mamianqun no matter if you’re going for dressy or fancy. Add a few pieces to your wardrobe today!

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Sennin Buraku (仙人部落, roughly Hermit Village) is a manga series by Kō Kojima which ran in the adult magazine Weekly Asahi Geinō, published by Tokuma Shoten in Japan. By contrast, Golgo 13 is the longest running manga to be serialized in a dedicated manga magazine with Doraemon the second longest, and Kochira Katsushika-ku Kameari Kōen-mae Hashutsujo (Kochi-Kame) the third longest (Asahi Geino is not a dedicated manga magazine). It is the longest running comic with only one artist, being published weekly since October 1956, and the longest-running strip ever in Japan. While Sennin Buraku has been running for more years than Peanuts, Charles M. Schulz’s strip has more “episodes” as it ran daily rather than weekly. The story was a romantic comedy taking place in historical China, and it was quite risqué for its time. The characters were very traditionally dressed (e.g. all wearing hanfu). This was the first anime series produced by Tele-Cartoon Japan, and a page exists on their website about it. A live action movie was released in 1961, titled Fūryū Kokkei-tan: Sennin Buraku (風流滑稽譚 仙人部落). The series was in black and white and ran for 23 episodes. With the August 7, 2014 issue, it was announced that the series would be placed on hiatus. The death of the artist on April 14, 2015, puts any future chapters of Sennin Buraku in doubt. Sennin Buraku takes place in Taoyuan, a small Edo period village, populated solely by Taoist ascetics. The eldest, Lao Shi, conducts research into magic and alchemy, while his disciple Zhi Huang remains more interested in pleasures of the flesh. While the manga has run in Weekly Asahi Geinō for over fifty years, there have been no translations of it. Each episode of the anime series was 15 minutes long. He has fallen for three pretty sisters who live nearby, much to Lao Shi’s annoyance. The opening theme song, Sennin Buraku no Thema, was sung by Three Graces, arranged by Tōru Kino and the lyrics were written by Takeo Yamashita. The first eight episodes were broadcast from 23:40 to 23:55 on Wednesday nights on Fuji TV following the world news, and episodes nine through 23 were broadcast from 23:30 to 23:45 on Sunday nights. Seto, Tatsuya (2011). Gravett, Paul (ed.). 1001 Comics You Must Read Before You Die. 風流滑稽譚 仙人部落 (in Japanese). 仙人部落 (in Japanese). 仙人部落 (in Japanese). This page was last edited on 22 November 2024, at 06:35 (UTC). Text is available under the Creative Commons Attribution-ShareAlike 4.0 License; additional terms may apply. By using this site, you agree to the Terms of Use and Privacy Policy. Wikipedia® is a registered trademark of the Wikimedia Foundation, Inc., a non-profit organization.

Chinese hanfu in pink and green is gaining popularity among fashion enthusiasts, with recent events and social media trends highlighting its vibrant and elegant appeal. Readers will learn how to style Chinese hanfu pink and green with accessories, hairstyles, and customization options to create a unique look that blends heritage with contemporary flair. This article explores the cultural significance of these colors in hanfu, symbolizing beauty, renewal, and harmony, while showcasing how modern designs elevate their traditional charm. Whether for traditional festivals, formal gatherings, or casual outings, pink and green hanfu offer versatility and timeless elegance. The article also provides practical tips on where to find high-quality pieces, ensuring readers can confidently add these exquisite garments to their wardrobe. Embrace the elegance and individuality of Chinese hanfu pink and green to transform your style and celebrate cultural heritage. Celebrities and influencers have been seen wearing these vibrant colors on social media and at cultural events, creating a buzz among fashion enthusiasts. The growing popularity of Chinese hanfu pink and green reflects the desire to embrace traditional attire with a modern twist. Recently, Chinese hanfu in pink and green has become a hot topic in the world of fashion. These colors add elegance while maintaining unique and timeless style elements that appeal to those who cherish both heritage and individuality. In ancient China, pink symbolized femininity, beauty, and grace, while green represented renewal, harmony, and vitality. These colors were often used in traditional garments to convey positive meanings and cultural values. The colors pink and green have deep cultural roots in traditional Chinese clothing. Modern designers have taken Chinese hanfu pink and green to a new level by incorporating updated fabrics, tailoring, and contemporary details to appeal to today’s fashion preferences. Today, Chinese hanfu pink and green continues to embody these associations, allowing wearers to connect with the past while celebrating their own elegance and personal expression. Flowing materials, intricate embroidery, and artistic patterns give these garments a fresh, modern edge. These adaptations have made hanfu more accessible and relevant for modern wearers, blending the best of tradition with the comfort and style that appeal to today’s fashion-conscious audience. One of the most exciting aspects of Chinese hanfu pink and green is its versatility for personal styling. Customization options such as fabric type, fit, and embellishments allow for a personalized touch, making each hanfu garment truly unique. To reflect individuality, pair pink or green hanfu with elegant accessories, modern hairstyles, or unique makeup choices. Whether it’s for traditional festivals, formal events, or casual outings, Chinese hanfu pink and green is perfect for a wide range of occasions. Many fashion enthusiasts blend traditional hanfu with Western elements, creating one-of-a-kind looks that are both creative and culturally significant. A soft pink hanfu can add charm to an outdoor festival, while a vibrant pink and green ensemble can be worn to a formal celebration. Finding high-quality Chinese hanfu pink and green requires knowing where to look. For everyday wear, opt for simpler designs and pair hanfu with modern footwear and minimalistic jewelry to achieve an effortlessly elegant look. Trusted online stores, local boutiques, and custom-tailoring services offer a range of options that blend cultural authenticity with modern style. Chinese hanfu pink and green can elevate any wardrobe by adding cultural depth, elegance, and individuality. When purchasing, consider the quality of fabric, craftsmanship, and authenticity to ensure you get a hanfu that truly resonates with your personal style. Let your hanfu journey be a testament to elegance, tradition, and modern flair. Embrace these timeless colors and unique styles to express yourself while honoring the heritage of traditional Chinese clothing. In traditional Chinese culture, pink symbolizes beauty, femininity, and grace, while green represents renewal, harmony, and vitality. 1. What is the significance of the colors pink and green in Chinese hanfu? These colors were often used in hanfu to convey positive cultural values and meanings. Today, Chinese hanfu pink and green continues to embody these associations, making them a popular choice for those seeking both elegance and a connection to traditional heritage. 2. How can I style Chinese hanfu pink and green to reflect my individuality? You can style Chinese hanfu pink and green by pairing it with modern accessories, unique hairstyles, or customized makeup looks. Customization options such as choosing specific fabrics, tailoring the fit, and adding embellishments also help create a unique and individualized hanfu style. 3. Where can I buy high-quality Chinese hanfu pink and green? Consider adding elements like embroidered belts, delicate jewelry, or stylish hairpins to personalize your look. High-quality Chinese hanfu pink and green can be found at trusted online stores, local boutiques, and through custom tailoring services. When purchasing, it’s essential to consider the quality of the fabric, craftsmanship, and authenticity of the garment. This will ensure that your hanfu is both culturally authentic and suitable for expressing your personal style.

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American Born Chinese Asks, What If the Gods Played Dress-up? Costume designer Joy Cretton talks staging a “heavenly Met Gala” and Michelle Yeoh’s influence on the series’ style. Swathed in a shimmering gold cape-gown with a voluminous collar, the Goddess of Compassion bypasses a line packed with fellow dazzling deities, divine-adjacent guests and two under-dressed-and starstruck-wannabe-divinities, Sun Wukong (Daniel Wu) and Niu Mowang (Leonard Wu). “We were imagining a heavenly Met Gala,” says series costume designer Joy Cretton, on the stylized re-telling of Chinese trickster god Sun Wukong’s origin story to become The Monkey King, a hero from the 16th Century Chinese novel, Journey to the West. Plus, superstar Yeoh, who’s been known to have an influence on her costumes (see: providing her own massive emerald and diamond ring in Crazy Rich Asians), offered some key suggestions, too. In episode four of American Born Chinese, Michelle Yeoh’s supreme goddess Guanyin gracefully descends from an elite realm of heaven to grace the illustrious Banquet of Immortal Peaches. Because Wei-Chen is actually the son of the aforementioned The Monkey King. ’re both of Chinese heritage-and Jin’s life is drastically altered. As Jin wraps his head around this out-of-this-world concept, viewers also open up their imaginations for the crossover stories and adventures. On his own quest of patriarchal rebellion and independence, Wei-Chen brings along a motley assortment of mythological gods, including Guanyin (Yeoh). And, fashion-via a glamorous otherworldly party or approachable athleisure-helps draw viewers into these legends that have captivated for centuries. ” asks Cretton. Back inside the extravagant fête in Heaven, revelers swan about in bold colors, conceptual shapes and opulent embellishments. “What would it look like if all these gods were to play dress up? In age-old lore, perpetually intoxicated Ji Gong (Ronny Chieng) wears “tattered robes,” which Cretton interpreted into an avant-garde jacket covered in rows of folded ribbons. “We wanted to showcase an elevated version of what this might look like if he attempted to dress up for a party,” says the costume designer, who custom-built the more traditional robes and ensembles sprinkled into the festivities. For Princess Iron Fan (Poppy Liu)’s purple ensemble, Cretton custom-designed an update on a flowing hanfu robe worn over a sequined asymmetrical gown by For the Stars, a go-to for the likes of Britney Spears and Jennifer Lopez. The Jade Emperor (James Hong) entertains in a spectacular floor-length brocade robe. Cretton also pulled runway pieces from Asian American designer Kenneth Barlis, including an appropriately green and floral crystal-embellished gown with a pleated oversize bow for Iron Fan’s wing-goddess, Princess Jade Face (Sarah Ho). Cretton also collaborated with fashion designer Prabal Gurung for Guanyin’s two mythological ensembles, with contributions from Yeoh. The Oscar winner suggested a “visible collar” that billows into the “cloud-like” sleeves and the gilded mesh face-covering on her imperial banquet ensemble. For Guanyin’s hero costume, Cretton and Gurung brainstormed ideas, and pitched their ideas to Yeoh first. “She was part of the whole process from the beginning, which isn’t always the case, but she just knew so much about Guanyin,” says Cretton. The idea for a green hue came both from Yeoh and an overall goal to inject more color into Guanyin’s divine persona, as opposed to reverting to the heavenly white and gold that’s usually depicted in Western religions. “The significance of jade felt appropriate,” says Cretton. After experimentation with various shades of green, her team landed on a soft ombré effect (done via a custom sublimation by Cab Fabrication). “We kept adding more sparkle to it,” says Cretton. The costume team, including in-house tailor Tony Alcindor, then experimented with pleating techniques and fabric weight tests to “add a new element of structure and depth to the ethereal, sheer, flowy fabric of her gown,” per Cretton. Cretton then looked to “the best embroiderer in Hollywood” to adorn the silk gown with a lotus pattern, which symbolizes peace and harmony. The gossamer-light pleated layers enhance Guanyin’s grand entrance as she majestically materializes in a Northern Californian high school hallway to face off with The Monkey King. Yeoh also helped inspire Guanyin’s contemporary fashion-inspired footwear, custom designed by Cretton and her team. “Designing the costume with the expert guidance of Joy was an absolute pleasure and a collaborative process where Michelle’s thoughtful and intentional suggestions really shaped the outcome of the gowns,” writes Gurung in an email. Before Guanyin’s feet touch the ground, we see a flash of her gold and crystal-embellished wedges, which reference Stella McCartney heels, a Yeoh favorite. “They laced up her leg and gave her look a fun, elevated modern twist,” says Cretton. Playing the part, she dresses in low-key baseball caps, hoodies and sweats from Levi’s, Carhartt and Gap. Guanyin settles in town to mentor Wei-Chen under the guise of an auntie, who partakes in normie activities, like eating at the Chinese buffet and assembling Ikea furniture. The global superstar was “totally on-board” and found herself partial to Free People. “‘That would make such a cool band name,’” says Cretton, hanfu clothing recalling Yeoh’s reaction to the label. Cretton likened the earth-bound goddess to “a really famous celebrity, who’s down amongst the normal people,” and imagined that she’d remain as sartorially undercover as possible. Although, when Guanyin pays a visit to Lady Rocky or Goddess of Stones (Stephanie Hsu) to help Wei-Chen, she wears a more polished wool coat by Vivian Chan. But, for Guanyin, a friend from home, Rocky ditches the layer to reveal a chic monochrome mock-neck jumpsuit set, also by Los Angeles-based Chan. “We wanted Stephanie to be in more vibrant pink, just because she’s dealing with riches,” says Cretton. Rocky masquerades on earth as a Chinatown jewelry shop owner, who cleverly subverts stereotypes-and charges extra-by greeting customers in a vintage embroidered jacket that a less-than-mindful person may think a Chinese small business owner would wear. “The goal was to do something really modern,” says Cretton, about updating the shape-shifting god, who’s influenced modern day pop culture heroes, from Kung Fu Panda to Marvel and DC protagonists. For The Monkey King’s noble armor, Cretton collaborated with Phillip Lim, who’s been a fan of the hero since childhood. “We wanted The Monkey King to be embraced by a Western audience, so he’s not continually seen as just a caricature for entertainment,” says Lim, who took to heart the challenge of imparting the “history, importance and gravity” of The Monkey King. You should be in love and want to vibe with it,” he continues. “How do you convince a new audience that this character is just cool? “For me, you do that in fashion. A personal fan of the Tang suit, Lim first referenced the mandarin-collared jacket, which dates back to the Qing Dynasty. “Like, you could imagine a celebrity today wearing that on the red carpet.” The black hue illustrates The Monkey King’s “authority and wisdom,” while the embossed silk features a “very faint tonal clouds and mountains motif,” explains Lim. The golden embroidered meander trim and organic patterns, also by Sichel Studio, “represent all the elements: the earth, the sky, nature,” adds Lim. “I wanted to add a streetwear leisure-ness to it,” says Lim, who envisioned a tapered drop-crotch trouser. The costume team built the armor in modular layers, so The Monkey King could wear a flowing red cape to address his court or don a gilded breastplate and belt to go out into the field. “The Monkey King is the ruler of all that. While on earth, he translates his confident and commanding aura through “a more grounded, sleek, cool and badass leather jacket and moto boot,” says Cretton.

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Traditional clothing has always been an important aspect of cultural identity and heritage. Many countries around the world have their unique clothing styles, and East Asia is no exception. Hanfu, Hanbok, and Kimono are three traditional clothing styles from China, Korea, and Japan, respectively. In this blog post, we will explore the similarities and differences between these clothing styles and appreciate the cultural significance behind them. Legend has it that the consort of the Yellow Emperor, Leizu, was the first to make clothes using silk, which eventually became an integral part of Hanfu’s design and construction. According to historical records, Hanfu has a rich history that dates back over 4,000 years. Hanfu consists of a top (ruyi) and a skirt (ruqun) for women, and a robe (changpao) for men. Hanfu is known for its loose, flowing lines and is often made from silk. Additionally, a range of accessories, including headwear, footwear, belts, jewelry, yupei, and handheld fans, complement the ensemble. Hanfu is a representation of the rich history, elegance, and wide-ranging temperament of the Chinese people. Hanfu also has variations for different occasions and social statuses. Furthermore, Hanfu reflects traditional Chinese customs, including respect for social order, and provides insight into the unique customs and traditions of China. It embodies the cultural values of harmony with nature, while also showcasing the diverse creativity of Chinese culture. The hanbok is believed to have been created during the Goguryeo Kingdom (37 BCE-668 CE) and was worn in various materials and styles by everyone. It was initially designed to allow wearers to move freely. The Korean Peninsula has been influenced by the Scythian culture, a nomadic group from the Scythia region of Eurasia since ancient times. The hanbok has been an important part of Korean culture for centuries. The basic structure of the hanbok has remained the same, but changes in culture, beauty standards, and historical periods have resulted in modifications in design and structure. The hanbok worn by Koreans today is most similar to the hanbok from the mid to late Joseon Dynasty (1392-1910), with tight tops and looser bottoms. Like other clothing styles in various cultures, the hanbok has undergone numerous alterations based on current trends. This influence led to the hanbok being divided into two separate parts – the top and bottom. In the process, neighboring countries like China and Japan have influenced each other. During the Joseon Dynasty, studying abroad was highly valued, and royal and official garments incorporated elements from the Ming Dynasty (1368-1644), while the clothing’s patterns and details reflected traditional Korean style and grace. Originally, the Japanese word “kimono” referred to clothing in general. The kimono we know today took shape during the Heian period, which lasted from 794 to 1185. Throughout ancient times and the Nara period, which spanned from 710 to 794, Japanese people commonly wore ensembles consisting of separate upper and lower garments, such as trousers or skirts, or one-piece garments. However, in recent years, chinese new year traditional clothing it has been used specifically to describe traditional Japanese clothing. Kimono consists of a T-shaped robe (kosode) and a wide belt (obi) tied around the waist. Kimono also has variations for different occasions, such as formal or casual wear. Kimono is known for its elaborate patterns and designs, and the fabric used is often silk or other high-quality materials. Despite the differences, there are some similarities between these traditional clothing styles. All three styles have a long history and cultural significance in their respective countries. Kimono represents the refined and elegant aesthetic of Japanese culture and reflects the value placed on simplicity, harmony, and respect. They are often made from high-quality materials such as silk and require a lot of time and effort to make. Each style has variations for different occasions and social statuses, such as a wedding or other formal events. Additionally, all three styles represent the unique culture and history of their respective countries. Construction: Hanfu and Hanbok are made up of separate top and bottom pieces, qipao dress red while Kimono is a one-piece garment. There are also some notable differences between these traditional clothing styles. Sleeves: Hanfu sleeves are wide and long, while Hanbok sleeves are typically shorter and fuller. Silhouette: Hanfu and Hanbok feature loose, flowing lines, while Kimono has a more structured silhouette. Kimono sleeves are wide and can vary in length. Fastening: Hanfu is typically fastened with a waistband or sash, while hanbok has a long ribbon-like sash called an otgoreum, and kimono has a wide, contrasting sash called an obi. Why is Cultural Appreciation Important? Cultural appreciation is important for several reasons. Patterns: Hanfu and Hanbok feature intricate embroidery and patterns, while Kimono features more simplistic patterns or designs. It allows us to learn about and appreciate the unique customs, traditions, and beliefs of others. Firstly, it promotes diversity and understanding among different cultures, fostering mutual respect and tolerance. This, in turn, can help to break down stereotypes and prejudices and promote social harmony. It can broaden our horizons and challenge our assumptions, helping us to become more open-minded and empathetic. Secondly, cultural appreciation can enrich our own lives by introducing us to new ideas, perspectives, and experiences. By recognizing the value and significance of cultural practices and artifacts, we can work to ensure that they are not lost or forgotten over time. Lastly, cultural appreciation can help to preserve and protect cultural heritage. This can help to promote cultural diversity and ensure that future generations have access to the richness and complexity of the world’s cultures.